Recently I have been working on a series of steel horses, which focus on interior and negative space as much as on contours and surface. Each horse is a series of abstract sculptures which are combined to form the armature for the whole. These pieces are made with the intention of staying outdoors in a public area without the need for extensive maintenance. The materials I use are often from the turn of the last century, which I feel is appropriate for depicting an animal so intertwined with our agrarian past. Repurposed steel provides a sound structure which allows me to work on a scale that lends itself to public spaces.
Jonathan Bowling grew up on a small farm in Kentucky, where the Appalachian Mountains melt into the rolling hills of the Bluegrass. His first sculptural efforts were the simple games of childhood--fieldstone castles, a bridle of hay twine, a driftwood armada. He attended the University of Kentucky where he received his BFA in sculpture and a BA in art history. In 1996 he moved to Greenville, North Carolina, to pursue an MFA in sculpture at East Carolina University. Bowling has been working out of his Greenville studio ever since.Greenville Times Article